Now it’s up to Sharafudheen’s cop Jojo to put together the missing pieces. His second prey is luckier he only has to deal with Kannan’s John Cena-style wrestling moves and a broken leg. (In the Coens’ film, the other guy can talk, but only rarely.) The events in White Alto begin with them-when the mute guy, Kannan, presses the trigger when someone calls him ‘dumb’. The only Fargo similarity is the detail that one of them is more talkative. One of these keys belongs to the thugs-Ebi and Kannan-played by Rajesh Madhavan and Anand Manmadhan, two terrific actors who have been fetching more notice of late owing to their laudable script choices, such as Nna Thaan Case Kodu (Rajesh) and Attention Please (Anand). The ‘error’ happens midway through the film when keys belonging to two identical-looking Maruti White Alto cars end up in one man’s pocket. 1744 White Alto is a dark comedy of errors in the vein of a Guy Ritchie or a Coen Bros movie, but as I said earlier, it’s not as violent or as complicated as their work.
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